Bill King and Wayne McGhie - Blue Skies

Here's a great clip of Wayne McGhie performing live with Toronto's own version of Dr. John - Bill King. King is the founder and director of the Toronto Beaches Int'l Jazz Fest. His son is Torontonian Reggae/Dub DJ - Dubmatix. From watching this video, you can see where his son probably got his influences from.

Wayne McGhie & The Sounds Of Joy - Wayne McGhie & The Sounds Of Joy (1970)

There’s a reason it’s considered the “Holy Grail” of Toronto Funk. The story behind this album is as amazing as the music itself. It begins in Montego Bay, Jamaica, 1947 with the birth of Wilfred "Wayne" McGhie. McGhie first gained notoriety playing on the Island circuit with the likes of the Celestials, Dizzy Barker, and Jimmy Wisdom. In the 1960’s, after the Canadian Government relaxed immigration policies, the streets of Toronto were no longer solely dominated by the white European, Scotts and Irish. Instead there were pockets of immigrant communities springing up all over the city. The Jamaican community used the West Indian Federation Club located on Brunswick Avenue as one of their cultural embassy’s. Or as Harry Gairey wrote, “We felt it would be some place for West Indian girls to go on their day off.”

This is where Jo Jo Bennett was tasked with forming a house band and where our story begins. Bennet recruited McGhie from Jamaica and after gigging at the WIF McGhie began to rise in local prominence. McGhie’s virtuoso was quickly recognized and found him writing songs like, “Chips-Chicken-Banana Split”, performed by Jo-Jo & The Fugatives and, “Mr. Fortune”, performed by the Hitchhikers – both featured on the Jamaica to Toronto compilation.

McGhie befriended Reggae superstar and co-founder of the Skatalites, Jackie Mittoo – with whom he would later play in a band. Mittoo recorded McGhee’s album at Art Snider’s Sound Canada Recording Center in 1969. (Interestingly enough, Art’s brother, Dave, was the founder of the famous Dave Snider’s music store on Yonge St.) The credits on the album read like a best-of list featuring the likes of Alton Ellis, Ike Bennett, Everton Paul and Lloyd Delpratt. The record was a hit and they knew it. Snider saw potential in the record and made a deal with Quality Music’s subsidiary Birchmount to distribute the album. Everything was going perfectly.

But! Just as Wayne McGhie & The Sounds of Joy was hitting the shelves, there was a fire at Birchmount’s warehouse destroying all remaining copies. After the record failed to initially sell, plans to re-issue it were abandoned and it seemed like this album would be lost to the sands of time.

After the albums commercial failure, McGhie returned to Jamaica and continued to try and produce music. Moving between Toronto and Jamaica, a dissuaded McGhie eventually dropped off the map – both with friends and the broader Toronto music scene. During all this, John Carraro, an NYC record dealer, managed to find a copy of the long-lost Birchmount original and sold it to P.M. Dawn (New Jack Swing duo) for a supposed $300. Side note, copies today go up to $584 USD. As word of the fat breaks and heavy beats on the album spread thanks to DJ’s like Q-Tip, Mr. Supreme, Pete Rock, DJ Sureshot, Buck 65, and Gary G-Wiz (Public Enemy), the album began to gain prominence in the funk world. But where was Mr. Mcghee?

After a chance encounter with Jay Douglas (Torontonian reggae/soul artist), the great guys at Seattle based Light In The Attic Records were able to track him down at his sister's house in Toronto. McGhee looks to be doing well and I’m sure he’s happy that his long lost album is finally gaining the recognition it deserves as the Holy Grail of Toronto Funk.

The album features Everton Paul and J. Joseph on drums. Listen for the distinct bass drum and complementary tight snare and hi-hat in the first four bars of "Dirty Funk". I'm not sure exactly how they recorded it, but the drums have a real punch, and in turn power the rest of the band. Tracks to look out for include the R. B. Greaves cover "Take A Letter Maria" and the feel-good classic "Na Na Hey Hey Kiss Him Goodbye". Enjoy.

Link in comments...

V/A - Jamaica to Toronto: Soul, Funk & Reggae 1967 - 1974

With the changing seasons comes changing moods. Here’s a nice reprise from the heavy onslaught of Funk and it begins with a brief history lesson. In 1962 the Government of Canada abolished its racist immigration policy and in 1967, the Federal Government of Canada revised the Immigration Act streamlining the system and beginning to more speedily process the backlog of applicants. As a result, Canada received around 225 000 to 275 000 new immigrants annually – many of whom brought with them their rich cultural traditions. At the time, Ike (Jo-Jo) Bennett – a Kingston-cum-Toronto native - was assembling a house band for the West Indian Federation Club located on Brunswick Avenue. With the “Third Wave” of Canadian immigration in full effect, Bennett recruited the likes of Alton Ellis, Lloyd Delpratt and Jackie Mittoo along with McGhie from Jamaica to play with him. The band played at the WIF and served as the cornerstone from which West-Indian culture in Toronto would grow.

Thus begun Toronto Funk and as they say, the rest is history – which I will leave for you to uncover. This album was compiled by Canadian artist and curator Sipreano and the great folks at Light In The Attic Records in Seattle. It features 16 tracks by 12 different artists – each bringing their own unique blend of funk, soul and reggae. For an interesting article about the history of West-Indian Torontonian culture, check this out.

I believe in music
I believe in love...