Showing posts with label R n B. Show all posts
Showing posts with label R n B. Show all posts

Saturday, 14 April 2012

V/A - New Orleans Jazz & Heritage Festival (1976)


Once a year, during the New Orleans Jazz & Heritage Festival, some of the greatest artists the Crescent City has to offer get together to revel in their colourful past and give fans a sample of what's in store for the future. The 1976 Jazz & Heritage Festival was no exception to this tradition. The music contained within is not only indicative of the time it was recorded but also transcends time by affecting the popular music being produced today by bands like Galactic.

Most of the tracks on this album were recorded on April 9, 10, and 11 at the R&B segment of the festival. The album contains performances by jazz progenitors and New Orleans greats such as, Professor ('Fess) Longhair, Allen Toussaint, Irma Thomas, Lee Dorsey, Ernie K-Doe, Robert Parker, Earl King, and Lightnin' Hopkins.

This is some of the most heartfelt and feel-good music I've heard in a while and it's bound to make you feel the same way.





Vinyl Ripped @ 320 kbps

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Saturday, 28 January 2012

Otis Redding - In Person At The Whisky A Gogo (1968)


There's a reason they call him Mr. Pitiful. Following in the tradition of James Brown's Live at the Apollo ('63), Sam Cooke's Live at the Harlem Square Club ('63), and Ray Charles' Live in Concert ('64), Otis Redding recorded this performance live from the Sunset Strip LA at the Whiskey A Go Go club on March 30, 1966. Like the R&B giants who preceded him, Redding was looking to make the switch from the Rhythm & Blues Scene to the more popular 'crash pop scene' (think Sinatra and the Beatles), and this recording proves such. Redding belts out the classics: "Mr. Pitiful", "Papa's Got A Brand New Bag", "Respect" and the Stones' "(I Can't Get No) Satisfaction" with a heart that's clearly been broken and mended many times over.


Redding died in a plane crash in 1967 and is most commonly known for his sedentary "Sitting on the Dock of the Bay" - which was written and recorded less than a week before his untimely death and proved to be his post popular song. This album is of note because it shows Otis trying to appeal to the pop audience before his performance at the Monterey Pop Festival (organized by Jerry Wexler) in June 1967 - which is commonly acknowledged as signifying Redding's switch from R&B to Pop. That being said, the album was released a year after his performance at Monterey which shows it may have taken a while for the record execs to catch on to the fact that Redding appealed to all audiences.

Redding drops some of his R&B swagger but doesn't sacrifice intensity. Listen to the ferocity of his band. The album reached #7 on the US R&B charts and is soaked in soul, blues and pure emotion.

Vinyl ripped @ 320

On loan from J.M - many thanks!

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